We leave you here with our last set of images on the theme of Water, where Theo plunges into a calm liquid abyss…
We leave you here with our images for Earth, where Theo is seen awakening from mother-earth’s ashy clay…
We leave you here with our images for Fire, where Theo as a flaming goddess rising from her bonds into the darkness…
For our ‘Air’ images, see here.
Last Friday was another one of those days where we got to have some fun with ropes, camera, friends and some colourful lighting. We played on the theme of the four elements: Earth, Fire, Water and Air, and had the rope and poses reflect each of these elements. Theo was our model and collaborator for the evening and was just absolutely amazing to work with.
We leave you here with our images for Air, where Theo is floating and gracefully falling from cloud 9…
Some times we have some fun with ropes, friends and camera. We leave you here with some of our favourite captures from the last few months 🙂
For more photos, see our personal website here.
The photos are taken by Anna Bones, the rope (unless otherwise stated) is by Fred Hatt and the models are our beautiful friends Soaprose, Gestalta, Clementine Poulain, Tsukio and two Anonymous ladies.
Some days we ditch the mop bucket and rope treating for creative fun with ropes and cameras. This was one such day a few weeks ago when the amazing multi-talented Kissmedeadly Doll came for a short flash visit to our studio.
It had been a long time since we played with self-suspension and it was nice to get back into it thanks to Kissmedeadly Doll. Thank you!
We are so excited to be able to share this image with you by multi-award winning photographer Julia Fullerton-Batten. This image is part of a collection of images from her personal project entitled ‘The Act, 2016’ which deals with the subject of young women engaged in the sex industry. We are very proud that Fred of Anatomie Studio was asked to do the rope work in this image featuring the beautiful Maisy Taylor.
Read the full interview and write-up about Maisy Taylor below!
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Project “The Act, 2016”
Maisy Taylor, Aerial Circus Artiste
Living in boats, buses and trailers with her performing parents from birth, well spoken Miss Maisy seems to have only ever known the traveller life. When her mother began her own circus school in Brighton, it triggered a love for aerial contortion and a passion that has evolved into adulthood. Then, aged fifteen, Maisy chose to explore the performance profession over traditional academia, having realised her time as an artiste was greater spent in the air, than a classroom. Having attended a few circus events during that time, the decision was made by what fed her soul; training became her and performance became life.
Once accepted at the National Centre for Circus Arts, Maisy achieved a degree from three years of vigorous circus practice specialising in rope. “I never imagined myself doing any sort of sexual work, but now it’s something I enjoy. I like being open minded, so I focus on sexual aerial acts, like kink and such.”
Kink (spanking, restriction sex games etc), became part of Maisy’s life when several stars aligned all at once. “I had just come out of a vanilla relationship. It was very loving, but I always wanted something more…I just never realised the ‘thing’ it was lacking, was kink. So when I came out of that relationship, I decided to research my lusts a bit further and pursue what I know now. I met my current boyfriend that way infact, then we began to explore it together.”
“For performance, it’s Shibari (Japanese bondage meaning ‘to tie’) as an element of kink that I love most. It’s the pain and restriction, or loss of control, that puts you in a euphoric state of mind. It’s ineffably sublime and almost peaceful with no decisions to make. Imagine just letting yourself…be. It’s not the scary experience one might assume.”
“Having rope bound around you ensures panic by nature, but eventually you’re forced to submit to it. Once you have trained your mind to think in that way, it’s the most incredible feeling of bliss.”
Performing rope acts in this unique way, is quite the opposite to the ‘normal’ aerial work that circus school teaches. Where Maisy’s initial training taught her body about complete control, Shibari has taught her mind to enjoy a complete confliction. “I have trained myself to be able to do both, but I still get the jubilant sense of euphoria I get from kink when I’m in pain with grazes and sweaty from both acts…which I guess makes them quite similar in part”. The natural non-drug induced effect that Maisy describes, somehow makes it easier to comprehend the addiction.
Looking at young Maisy, she’s the last person we’d expect (physically) as a sex worker…and listening to her speak only supports those presumptions. Her incredibly well written blog ‘Dreaming Bruises’ expresses her innate adoration for the industry that owns her, contradicting all prejudice exposed from her refusal of academia. Which leads us to question our self aware preconceptions…of what actually is a ‘sex worker’? What does a sex worker really look like? Does a sex worker know he or she, is?
“It’s an intellectual interest. I like to watch people’s reactions when I go from being someone who is qutie sensible and innocent, to something a lot more. There is so much to sexuality that fascinates me. I want my work to connote exploring that and challenging the ideas people have, rather than it just being a ‘sexy act’. I don’t really consider myself a sex worker, but not because I wouldn’t want to be…I just feel it’s a bit melodramatic to call myself that. What I perform feels more about the subtleties of sexuality, but I guess I’m still working out if I am [a sex worker] or not.”
Maisy Taylor is beyond most capabilities on so many levels; a strong heart, strong body and strong mind. Her refreshing vision, voiced with hypnotic grace, opens eyes to the subtle beauty of unique sexuality and individual desire – that reaches new altitudes of euphoria. Maisy Taylor; of youth only by years and of maturity in every other way.
Text by Jen Brook
Interview by Julia Fullerton-Batten