Self-Suspended Dolls & Zombie Ropes

Some days we ditch the mop bucket and rope treating for creative fun with ropes and cameras. This was one such day a few weeks ago when the amazing multi-talented Kissmedeadly Doll came for a short flash visit to our studio.

It had been a long time since we played with self-suspension and it was nice to get back into it thanks to Kissmedeadly Doll. Thank you!


Photography by Kissmedeadly Doll • Models are Kissmedeadly Doll & Anna Bones • Camera Operator and Creative Assistance by Sophia.

Photography by Kissmedeadly Doll • Model Anna Bones • Twine bondage by Photography by Kissmedeadly Doll & Sophia.

Shibari for ‘The Act, 2016’ – by Julia Fullerton-Batten

We are so excited to be able to share this image with you by multi-award winning photographer Julia Fullerton-Batten. This image is part of a collection of images from her personal project entitled ‘The Act, 2016’ which deals with the subject of young women engaged in the sex industry. We are very proud that Fred of Anatomie Studio was asked to do the rope work in this image featuring the beautiful Maisy Taylor.

Read the full interview and write-up about Maisy Taylor below!


Full set of images here.

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Project “The Act, 2016”
Maisy Taylor, Aerial Circus Artiste

Living in boats, buses and trailers with her performing parents from birth, well spoken Miss Maisy seems to have only ever known the traveller life. When her mother began her own circus school in Brighton, it triggered a love for aerial contortion and a passion that has evolved into adulthood. Then, aged fifteen, Maisy chose to explore the performance profession over traditional academia, having realised her time as an artiste was greater spent in the air, than a classroom. Having attended a few circus events during that time, the decision was made by what fed her soul; training became her and performance became life.

Once accepted at the National Centre for Circus Arts, Maisy achieved a degree from three years of vigorous circus practice specialising in rope. “I never imagined myself doing any sort of sexual work, but now it’s something I enjoy. I like being open minded, so I focus on sexual aerial acts, like kink and such.”

Kink (spanking, restriction sex games etc), became part of Maisy’s life when several stars aligned all at once. “I had just come out of a vanilla relationship. It was very loving, but I always wanted something more…I just never realised the ‘thing’ it was lacking, was kink. So when I came out of that relationship, I decided to research my lusts a bit further and pursue what I know now. I met my current boyfriend that way infact, then we began to explore it together.”

“For performance, it’s Shibari (Japanese bondage meaning ‘to tie’) as an element of kink that I love most. It’s the pain and restriction, or loss of control, that puts you in a euphoric state of mind. It’s ineffably sublime and almost peaceful with no decisions to make. Imagine just letting yourself…be. It’s not the scary experience one might assume.”

“Having rope bound around you ensures panic by nature, but eventually you’re forced to submit to it. Once you have trained your mind to think in that way, it’s the most incredible feeling of bliss.”

Performing rope acts in this unique way, is quite the opposite to the ‘normal’ aerial work that circus school teaches. Where Maisy’s initial training taught her body about complete control, Shibari has taught her mind to enjoy a complete confliction. “I have trained myself to be able to do both, but I still get the jubilant sense of euphoria I get from kink when I’m in pain with grazes and sweaty from both acts…which I guess makes them quite similar in part”. The natural non-drug induced effect that Maisy describes, somehow makes it easier to comprehend the addiction.

Looking at young Maisy, she’s the last person we’d expect (physically) as a sex worker…and listening to her speak only supports those presumptions. Her incredibly well written blog ‘Dreaming Bruises’ expresses her innate adoration for the industry that owns her, contradicting all prejudice exposed from her refusal of academia. Which leads us to question our self aware preconceptions…of what actually is a ‘sex worker’? What does a sex worker really look like? Does a sex worker know he or she, is?

“It’s an intellectual interest. I like to watch people’s reactions when I go from being someone who is qutie sensible and innocent, to something a lot more. There is so much to sexuality that fascinates me. I want my work to connote exploring that and challenging the ideas people have, rather than it just being a ‘sexy act’. I don’t really consider myself a sex worker, but not because I wouldn’t want to be…I just feel it’s a bit melodramatic to call myself that. What I perform feels more about the subtleties of sexuality, but I guess I’m still working out if I am [a sex worker] or not.”

Maisy Taylor is beyond most capabilities on so many levels; a strong heart, strong body and strong mind. Her refreshing vision, voiced with hypnotic grace, opens eyes to the subtle beauty of unique sexuality and individual desire – that reaches new altitudes of euphoria. Maisy Taylor; of youth only by years and of maturity in every other way.

Text by Jen Brook
Interview by Julia Fullerton-Batten

Ropework at Senate House

A couple of weeks ago we were asked to do a small rope installation at Senate House (UCL) for Isobel Williams‘s new exhibition called “The Body of Law“. Pink legal tape was woven into a minimalistic rope pattern that frames the artwork. This was particularly challenging as the rope is secured to plastic hooks that are glued onto the stone walls – an interesting exercise in tension!

You can read all about her exhibition at Senate House in this blog piece.

Isobel enjoys drawing movement, and often draws in the public seats such as in the UK Supreme Court and the Judicial Committee of the Privy Council, and she records her impressions on her blog

Isobel can also sometimes be found at various shibari events in London drawing the fast paced performances (often in dimly lit environments) where her nimble and agile pen catches not only the performers bodies but also their emotions and expressions on stage with an incredible likeness.

You can watch her explain her interest in shibari and shibari performances in a short clip for National Geographic TV over here.

The Soap Box April: Circus meets Shibari!

Hi all,

Our next Soap Box night is taking place on April 1st and we’ll be marrying shibari with other performative arts such as circus and ballet!

The first performer has been announced: GLÜ WÜR is a Chilean artist who lives in Barcelona, where she conducts various studies, the practice of shibari mixed with acrobatic aerial being one of her specialisations.

See here for a video of her work.

“Training and performing with ropes has brought me to many people. Connecting in a different way to what people imagine about bondage. For me it is a very sensual art, rather than sexual; emotional nonverbal communication that delivers confidence through being tied up. Bonding with my play partners is a very enriching experience, and when practicing self bondage or self suspension the adrenaline is so nice, finding control over the pain.”


Her work has been seen in Barcelona, Valencia, Madrid, London, San Francisco/CA and Santiago/Chile.

GLÜ WÜR will be performing a new variation on her show ‘Bag’ that she’s developing for The April Soap Box.

“‘Bag’ is a self suspension about non identity. Stereotypes that tend to pigeonhole people in a certain prejudices. This performance is reminder that every human being is unique and unrepeatable.”

More on GLÜ WÜR on her website:

The Soap Event event listing is here.

And tickets can be found here!

More information on the Soap Box can be found here.

See you soon!